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CFP – The Theatre of Deirdre Kinahan

The School of Arts, English and Languages at Queen’s in association with the Irish Society for Theatre Research is holding a one-day symposium on Practice as Research (PaR) processes in the creative arts at the Brian Friel Centre on Friday, 14th June 2019.

CFP – Irish Journal of Arts Management and Cultural Policy

The School of Arts, English and Languages at Queen’s in association with the Irish Society for Theatre Research is holding a one-day symposium on Practice as Research (PaR) processes in the creative arts at the Brian Friel Centre on Friday, 14th June 2019.

The Palgrave Handbook of Contemporary Irish Theatre and Performance

Editors: Jordan, Eamonn, Weitz, Eric This Handbook offers a multiform sweep of theoretical, historical, practical and personal glimpses into a landscape roughly characterised as contemporary Irish theatre and performance. Bringing together a spectrum of voices and sensibilities in each of its four sections — Histories, Close-ups, Interfaces,

The Theatre and Films of Conor McPherson – Conspicuous Communities

by: Eamonn Jordan | Series Editor(s): Kevin J. Wetmore, Jr., Patrick Lonergan The spellbinding premiere of The Weir at the Royal Court in 1997 was the first of many works to bring Conor McPherson to the attention of the theatre-going public. Acclaimed plays followed, including Shining City, The Seafarer,

Gender, Sexuality, and the City

Performance Ireland. Special Issue. Eds. Shonagh Hill (Author),‎ Cormac O’Brien (Author) Irish Theatre International/Irish Society for Theatre Research Kindle Edition. Carysfort Press. At the core of this special issue of Performance Ireland are two crucial questions: how do gender and sexuality shape these processes of metropolitan being

New Publication: Perspectives on Contemporary Irish Theatre

Perspectives on Contemporary Irish Theatre: Populating the Stage, edited by Anne Etienne and Thierry Dubost. Palgrave MacMillan This book addresses the notion posed by Thomas Kilroy in his definition of a playwright’s creative process: ‘We write plays, I feel, in order to populate the stage’. It gathers